Stepping into ANGKAT is like entering another world that seems almost close to home, but not quite. A couple leisurely glides along in a sampan, a man fishes while standing on top of a stool, and a child sits under an umbrella. The backdrop is lit in a luminous purple colour, bathing the cast with a twilight glow. As such, the world of ANGKAT submerges the familiar with the imaginative. Playing with fact and fiction, ANGKAT’s take on the Singapore story is definitive, maybe.
John Berger and Jean Mohr’s essay-book A Fortunate Man was published in 1967. It follows the life of an English country doctor, John Sassall, who killed himself some years after the book was published. More than 50 years later, UK theatre company New Perspective takes on this tale in a play of the same name.