The Pitch, a short film co-produced by Pangdemonium, Singapore Repertory Theatre and WILD RICE, premiered about three weeks ago now. It follows the three companies pitching for a fictional COVID-19 friendly show. The cast all play themselves (Adrian Pang, Gaurav Kripalani, and Ivan Heng), and poke fun at their own male egos. But boy, watching The Pitch make me miss Singapore theatre so, so much.
For the past couple of years, I have a rolling Google doc entitled “Theatre schedule”, where I will list all the plays I wanted to catch every month, ticket price, whether I’ve booked it and whether I’ve written a review for this blog. It was last updated March 9.
Continue reading Watching “The Pitch” made me miss theatre – like, a lot
Warning: This review contains light spoilers.
When it comes to mental illnesses, the youth are most at risk. In fact, nearly half of mental illnesses appear before age 14, with the rate of appearance increasing to 75% before age 24.¹ The Son tackles this topic head on.
Continue reading “The Son” review: on losing control
Bhumi Collective’s Mak Mak Menari tells the story of a traditional Malay dance troupe, as named in the title. “Mak mak” which translates to “mum” and “menari” meaning “dancer” in Bahasa Melayu aptly describes the group of ex-dancers, working mothers and homemakers. Their story is charmingly told; a loving tribute to dance and these Malay women.
Continue reading Saccharine sweet “Mak Mak Menari”
I watched a total of 17 plays in 2019. Not a lot, I must admit, and also maybe why the recent Life! theatre awards nominations left me with “Oh, maybe I should have watched that…”. So only two months late, here are my 3 favourite plays from 2019:
Continue reading A look back: 2019 theatre in review