Spoiler Alert: This review contains spoilers for The Mysterious Lai Teck, which will run from 17 to 19 May at the Singapore International Festival of Arts.
“I am the shadow of Ho Chi Minh,” a voice states. It starts as a whisper, before being repeated later as a fast, sharp claim. This narrating voice recounts his origin story: about growing up in his home country of Vietnam, vaguely alluding to being from the same birthplace as Ho Chi Minh – as though to solidify his ties with communism, great leadership and power. Yet, he later admits he is not from the same region, only nearby. This voice, that openly lies, belongs to a man known as Lai Teck, the leader of the Malayan Communist Party, and a triple agent working with the French, British and Japanese secret service.
The first thing you notice about Still Life is its set. A massive bird’s nest structure hangs from the ceiling, alongside faux wooden beams and matte black pendant lamps. Nude sketches and paintings are donned on all walls. Petrina Dawn Tan’s set feels cosy, and even lived-in, especially with the mishmash of seats that circle the stage: rattan chairs, sofas, high stools, rugs and more.
The next thing you notice about Still Life is Dana Lam herself. Sporting cropped hair and clad entirely in black, Dana exhibits a no-nonsense spunk. She shows a careful consideration with her words, and a fluid freehand style with her live artistic sketches. Still Life is centered around Dana, and her life is anything but still.
Continue reading “Still Life” review: life is but a dream
A darkened room
A large crackling paper
A silent boom that
Continue reading TPAM: “A Wave From A Distance” review
Stepping into ANGKAT is like entering another world that seems almost close to home, but not quite. A couple leisurely glides along in a sampan, a man fishes while standing on top of a stool, and a child sits under an umbrella. The backdrop is lit in a luminous purple colour, bathing the cast with a twilight glow. As such, the world of ANGKAT submerges the familiar with the imaginative. Playing with fact and fiction, ANGKAT’s take on the Singapore story is definitive, maybe.
Continue reading “ANGKAT” review: definitive, maybe