It begins with a tick. Then a tock. Faster than a working clock, more like a hyped up metronome. Or maybe more like the beat of a heart falling in love – fast, rushed, on adrenaline.
OCD Love starts with a hushed, ticking percussion as Rebecca Hytting performs a solo dance of angular limbs and arched backs. She is singular yet uncertain, a fitting beginning for a piece that leans into the obsessive and compulsive.
Continue reading The dark despair of “OCD Love”
In 2018, 1984 looms over us. The Orwellian world of “doublespeak” and “Big Brother” seems almost akin to our world of “fake news” and “alternative facts”. So, why watch a dystopian play when we’re already living in one?
Funnily enough, 1984 gives us hope. Like a call to arms, Orwell’s nightmare vision offers a bleak refuge for us. The familiar tale is purposefully confronting; a stark reminder of the darkness found in our modern times.
Continue reading The real world is a dystopia and “1984” is our relief