Stepping into ANGKAT is like entering another world that seems almost close to home, but not quite. A couple leisurely glides along in a sampan, a man fishes while standing on top of a stool, and a child sits under an umbrella. The backdrop is lit in a luminous purple colour, bathing the cast with a twilight glow. As such, the world of ANGKAT submerges the familiar with the imaginative. Playing with fact and fiction, ANGKAT’s take on the Singapore story is definitive, maybe.
Continue reading “ANGKAT” review: definitive, maybe
John Berger and Jean Mohr’s essay-book A Fortunate Man was published in 1967. It follows the life of an English country doctor, John Sassall, who killed himself some years after the book was published. More than 50 years later, UK theatre company New Perspective takes on this tale in a play of the same name.
Continue reading “A Fortunate Man” review: a tender, tragic portrait
I’ve been invited to co-chair Year In Reviews coming up this Tuesday, Dec 4th! Instead of a strict panel session, this is an open dialogue event where we hold casual conversations about Singapore theatre this year. Here’s how it will work:
Reviewers from Centre 42’s Citizens’ Reviews programme and arts website ArtsEquator will begin the evening by sharing some of their observations, based on the shows that they watched and wrote about this year. You can then pick a topic and engage the reviewers in small-group discussions. Year in Reviews is an opportunity to reflect on the performances you watched, as well as the wider local theatre landscape today.
More details in their Facebook event page. It’s FREE so please come and take part in this exciting conversation!