It begins with a tick. Then a tock. Faster than a working clock, more like a hyped up metronome. Or maybe more like the beat of a heart falling in love – fast, rushed, on adrenaline.
OCD Love starts with a hushed, ticking percussion as Rebecca Hytting performs a solo dance of angular limbs and arched backs. She is singular yet uncertain, a fitting beginning for a piece that leans into the obsessive and compulsive.